Leaders Style

Behind the Brand: Lost Files

Lost Files is an up and coming streetwear brand founded in March of 2021 by Estevan Longoria. The brand has gained a lot of attention recently, especially on “sneaker twitter,” where I was first introduced to Lost Files. The burgeoning streetwear line specializes in shorts. I had the opportunity to interview Estevan and pick his brain about how the brand came to life, the process of creating a clothing brand and the learning curve that comes along with starting something new.

How did the brand come to life? 

March of 2020 is when I first had the idea. I knew I wanted to get into the fashion industry somehow, but didn’t know exactly where I could fit in. Shorts ended up being my answer. I started coming up with ideas and a plan for the brand. I really wanted to take my time with everything and didn’t want to rush into things. I made a month by month plan all the way into the next year, planning out where I wanted to be and what I needed to have done by certain months to keep myself on track. I knew I had a long way to go, knowledge wise, before I would even be able to begin thinking about creating samples of shorts I had in mind. It was a lot of reading and researching about every aspect of a clothing brand. Learning about different materials, manufacturing processes, garments, all the way down to things like Adobe Illustrator and Photoshop. It certainly tested my patience, but I fell in love with the process.

The whole time, I found myself actually wanting to learn more about this industry and not just researching to find an answer, but because I was curious and had a passion for it. The pandemic certainly gave me a lot of time to think about everything I was doing and really focus on the brand. The pandemic was a blessing in disguise for me.

What inspires you?

Being able to work on something that I can call my own is amazing. All the hard work I put in, I can actually see where it goes. All the weekends I spend working, all the days I stay up all night working on designs, all the days I spend packing orders, I’m able to see all of that hard work pay off.

What collection is your favorite?

My favorite designs so far are the three from the corduroy collection. That whole process of getting the licensing agreement and working with their publishing team was really cool. Seeing those go from a kids book I used to read to shorts I made was just a really cool process, so those are definitely my favorite. 

 What collection has had the most support? 

I think the paisley collection is the collection that received the most support so far. Everyone always asks me if I have any left or if I can release those again.

Lost Files is a brand you will be seeing a lot more of. For being such a new brand, they have gained a lot of attention. Celebrities like Lil Yachty, Terrance Mann, Ty Jerome, Jordan Nwora and Michael Mitchell have already been seen rocking Lost Files. Their Instagram and Twitter @lostfiles0 are the best places to stay updated on all things they’ve got going on. Look out for their next drop on July 2nd at 11am ET.

Leaders Style

Byre Talks Content Creation and Pivoting From Gaming to Fashion

Para ver el artículo en Español, tienes que desplazarte hacia abajo.

In the constantly-evolving age of digital media and content creation, the process of finding one’s personal lane can be an arduous journey. Social creators like Byre demonstrate the malleability of producing content; just because you start by creating one kind of content doesn’t mean you can’t pivot. The man of many fits began as primarily a gamer/streamer before he switched over to producing fashion content. I caught up with the Madrid-based creator about his history on social media, some of his favorite aspects of contemporary fashion and what’s next.

ONE37pm: How did you start creating content about sneakers and clothing?

Byre: I started uploading gameplays to YouTube in 2013, mostly Call of Duty and Clash Royale. With this content, I reached 130,000 subscribers in 2017, but stopped uploading videos because I was working and no longer liked this genre of content.

A year later, I came back to YouTube and started with sneaker and clothing content. With this style, I reached more than 550,000 subscribers. In the case of Instagram, when I used to upload gameplays, I almost never used the platform, but since I changed the content I started uploading photos of my outfits and it has had a great acceptance. Lately I’m also creating content on other networks like TikTok and Twitch.

Of all the videos you have uploaded, which is your favorite?

I would definitely go with my last battle of outfits. It is a series that I created, in which a jury composed of me and several friends choose which of my subscribers dresses better and the winners get a prize. I think a big part of the growth of my channel is due to this series.

To pivot a bit, what are your favorite brands?

I wear many brands on a daily basis, but among my favorites I would highlight Nike for sneakers. For clothing, Balenciaga, Louis Vuitton, Carhartt, Acne Studios and Ader Error. Although I never really base it on the brand, but on what the garment looks like in terms of fitting and design.

How many sneakers do you own? What are your five favorite pairs?

Right now I have 75 pairs of sneakers. My favorites are: Off-White x Nike Jordan 1 UNC, Louis Vuitton Trainer Green, Rick Owens x Doctor Martens Boots, Cactus Plant Flea Market AF1 and Travis Scott Nike Dunk Low.

What’s your favorite item of clothing you own?

I have a lot of clothes and I wouldn’t know how to choose just one. But if I had to highlight one, I would say: Dior Shaddle, Gucci x TNF Shirt and my Balenciaga Bomber.

Who are some of your favorite fashion influencers?

The truth is that I’m not super tapped into what other influencers do. But I definitely like the content that my friend Mihail creates and he has a great style. Everything he wears looks good on him. I also really like the both content he creates and the trajectory in social networks of the British Youtuber, The Unknown Vlogs.

How did you start classified?

In 2019 after showing many clothing brands on my social networks, I thought the next natural step was to create my own brand. At that time my best friend Willy was also creating a clothing brand and we decided to partner up and do it together. We launched the first drop at the end of 2019.

What’s next?

As for social networks, the covid situation in Spain delayed my plans a lot since there are many restrictions here and it’s been practically a year without being able to record what I want.

Soon I will open a new channel dedicated exclusively to shoe reviews. I also want to travel more and create content in other countries for my main channel.

As for classified, we have many plans for the future and we want to keep growing. Stay tuned.

Spanish Translation:

En la era de la constante evolución de los medios digitales y la creación de contenidos, el proceso de encontrar el camino personal puede ser una tarea difícil. Los creadores de contenido como Byre demuestran la maleabilidad de la producción de contenidos; el hecho de empezar creando un tipo de contenido no significa que no se pueda pivotar. Nuestro invitado de hoy empezó siendo un gamer antes de dar el salto al contenido de moda. Me he puesto al día con Byre sobre su historia en las redes sociales, sus gustos en la moda contemporánea y todo lo que está por venir.

ONE37pm: ¿Cómo empezaste a crear contenido sobre zapatillas y ropa?

Byre: Empecé en YouTube en 2013 subiendo gameplays, principalmente Call of Duty y Clash Royale. Con este contenido alcancé los 130.000 suscriptores en 2017, pero dejé de subir vídeos porque estaba trabajando y ya no me gustaba ese contenido.

Un año después, volví a YouTube y empecé con los vídeos de zapatillas y ropa. Con este contenido he superado los 550.000 suscriptores. En cuanto a Instagram, casi nunca lo usaba cuando subía gameplays, pero desde que cambié el contenido empecé a subir fotos de mis outfits y ha tenido buena aceptación. Últimamente también estoy en otras redes sociales como Twitch y TikTok.

De todos los vídeos que has subido, ¿Cuál es tu favorito?

Sin duda me quedo con las batallas de outfits. Es una serie que yo creé en la que un jurado formado por varios amigos y yo elegimos cual de mis suscriptores viste mejor y los ganadores tienen un premio. Creo que una gran parte del crecimiento de mi canal se debe a esta serie.

Cambiando un poco de tema, ¿Cuáles son tus marcas favoritas?

Visto muchas marcas en mi día a día, pero entre mis favoritas destacaría Nike para zapatillas. Para ropa, Balenciaga, Louis Vuitton, Carhartt, Acne Studios y Ader Error. Aunque realmente nunca me fijo en la marca, sino que valoro otras cosas como el fit y el diseño de la prenda.

¿Cuántas zapatillas tienes? ¿Cuáles son tus pares favoritos?

Ahora mismo tengo 75 pares de zapatillas. Mis favoritos son: Off-White x Nike Jordan 1 UNC, Louis Vuitton Trainer en verde, las botas de Rick Owens x Doctor Martens, Cactus Plant Flea Market AF1 y las Travis Scott Nike Dunk Low.

¿Cuál es tu prenda de ropa favorita?

Tengo mucha ropa y sería muy difícil quedarme solo con una. Pero si tuviera que destacar alguna, te diría: Dior Shaddle, camisa de Gucci x TNF y mi bomber de Balenciaga.

¿Quiénes son tus influencers de moda favoritos?

La verdad es que no sigo mucho lo que hacen los demás influencers. Pero me encanta el contenido que mi amigo Mihail crea y tiene un estilazo, todo lo que se pone le queda bien. También me gusta el contenido y la trayectoria en redes sociales del YouTuber británico The Unknown Vlogs.

¿Cómo empezaste classified?

En 2019 después de haber enseñado muchas marcas de ropa en mis redes sociales, pensé que el siguiente paso natural era crear mi propia marca. En ese momento mi mejor amigo Willy también estaba creando una marca de ropa y decidimos asociarnos y hacerlo juntos. Lanzamos el primer drop a finales de 2019.

¿Cuáles son tus próximos pasos?

En cuanto a las redes sociales, la situación del COVID en España retrasó mucho mis planes ya que aquí hay muchas restricciones y he pasado prácticamente un año sin poder grabar lo que quiero.

Pronto abriré un nuevo canal de YouTube dedicado exclusivamente a las reviews de zapatillas. También quiero viajar más y crear contenido en otros países para mi canal principal.

En cuanto a classified, tenemos muchos planes para el futuro y queremos seguir creciendo. Estad atentos.

Leaders Style

POETS’ Founder Gino Iannucci Talks Skateboarding and Honing his Process

With its cobblestone streets and nautical views of the East River, Manhattan’s Seaport District is an anomaly. Flanked by high rises and financial buildings, it calls to mind the quaint port towns of Long Island or even coastal New England. Even with its tourist attractions, it feels slow. When I meet POETS founder and professional skateboarder Gino Iannucci there, I’m reminded that skateboarding was one of the only reasons I’d been to the Seaport save a random dinner or occasional free concert at the pier. With several spots in its proximity including the Brooklyn Banks and a lack of foot traffic and moving vehicles, the Seaport and its wooden benches topped with angle iron became a hub in the late-’90s into the early 2000s. 

“You remember how it used to smell skating down here,” Iannucci says about the fetid odor that would waft from the fish markets over to the benches, especially during the summer. “I always liked that it was quiet down here—it was less stressful.”
Anthony Pappalardo

Now living in the area, Iannucci’s spent the past year focusing on POETS, the brand he initially started as a brick-and-mortar skateshop in Long Island, where he was raised. While the shop didn’t prove to be a sustainable business venture, over its two locations it was an outlet outside of his skate career that led to brand collaborations as well as a space for ideas that would later inform POETS. For example, the shop was his introduction to a local skateboarder and wood worker who would later create board hangers as well as an irreverent wooden piece called the “Little Hammer” for POETS under the pseudonym Mitch Leary. Leary had previously helped create display cases and pieces for the shop whose clean boutique aesthetic contrasted the sticker clutter and product overload of most shops at the time. Now operating as a clothing and accessories brand, POETS pulls from design and interest in handmade objects gleaned from the shop as much as the movies, pop culture and even folklore of Iannucci’s youth. What it eschews is the structure—the constant maintenance, ordering, customer service, and upkeep necessary to maintain a store.

“Skate shops were so important growing up,” he says. “Checking out new boards or videos and having a space for that is great, but running one can get boring really fast. After a while it just becomes a business and stops being fun.”

He shows me an image on his phone of a skateboard deck, a Haro Jim Gray, mentioning that he purchased it from a booth selling skate products at a flea market in the mid-1980s. At the time, especially on the East Coast, there were few devoted skate shops as skating was viewed as seasonal with bicycle shops being some of the only places to find products. Ironically, Haro was a premier BMX brand at the time who only produced skateboards for a short period, and its few boards have become collectors items.
Gino Iannucci / POETS

Along with working on POETS’ collections and mining ideas for new products, Iannucci spent most of 2020 working on capsules with JSP, including a bold, luxury flip on the Padmore & Barnes P500 shoe. In a way, working during the pandemic independently and free of the industry’s antiquated model of trade shows, tight release schedules, and seasonal production, POETS can breathe and move organically. There’s less of an emphasis on planning each line or collection based on time, but rather feel and inspiration. A vintage boxing poster or scene from a movie could be a reference for a T-Shirt graphic or the start of a larger deep dive into involved cut-and-sew pieces such as the Tinker Jacket the brand produced, or the Tomato, a piece handmade in Bergamo, Italy as homage to the movie Rocky. The disparate calls to Rocky, hockey, and the oddly surreal stop-action animation of Davey and Goliath all find a way to coalesce into the POETS aesthetic and make the pieces personal and fluid, rather than rigid or overthought; something Iannucci is aware of.

“I remember going to Los Angeles and seeing Huf’s (Keith Hufnagel’s) office and how he was just working all the time,” he says. “It was so proper and he was so professional but I realize I can’t really work that way. (Having a brand) It’s almost like skating. If you aren’t working on a video or project, it can be really unstructured and to be honest, sometimes I need deadlines because I can get lazy (laughs). With POETS, I don’t feel pressured that every line has to have some detailed piece that takes me months to source and figure out. I don’t search that stuff out, I just do it when I’m inspired. I could reach out to people but I’d rather just let collaborations happen on their own. Sometimes I find myself thinking, ‘Should I be getting up and working on this for five hours or whatever,’ but I’m just not that kind of person.”

Anthony Pappalardo

In a time when the process of marketing or branding or process itself becomes more of a task than actual creation, it’s easy to feel that there’s an implied way that everything has to operate. Iannucci isn’t counter to that or intentionally shunning it. Instead, he keeps POETS fresh by staying detached from it and allowing POETS to be an outlet first over a job. 

“I ran into Gonz (Mark Gonzales) the other day down here,” he says. “He was asking me about skating and to be honest, going skating can be the easiest way to measure regression you know? It can be really frustrating at times. I was telling him that I’ve been getting out here and there but I have injuries and it’s hard sometimes. He goes, ‘Yeah, I see you’ve been jumping rope,’ (laughs) and it really made me think that he’s right, I feel fine doing that. Maybe I’m just making excuses. (laughs).”

For Iannucci, it’s all about feel. A day spent bike riding is just as valuable as one hashing out design ideas. Like actual skateboarding, everything comes down to curation—the spot, the trick, how it’s done and how it looks—and allowing that to be liquid is a learning and a boon to POETS and a regimen he’s easing into. 

“We spend so much time on our phones and it can really fuck with you,” he says. “You see people feeling like they have to post something, especially when you own a brand—it’s so consuming. You have to stop and think about what you’re actually doing outside of Instagram or whatever and realize all the work you’re putting in and what you’ve done, not what you’d posted or what this person’s doing, you know? It’s easy to forget what goes into making things.”

Leaders Style

The Happiness Project: How Apparel Can Push the Mental Health Conversation

Mental health is difficult to talk about. Luckily, that’s changing as people become more comfortable discussing the ubiquitous mental illnesses that have pervaded so many of our environments. Jake Lavin, founder of the Happiness Project, wants to use his brand to increase  conversations around mental health. The more comfortable we are discussing these issues, the more comfortable people will be in seeking help. 

That’s the mission of The Happiness Project, a clothing line that aims to “elevate happiness throughout the world” by increasing conversation and donating 15% of their profits toward the American Foundation for Suicide Prevention. I spoke with Jake this week about the brand’s history, the genesis of their recognizable graphics and what’s next.

The Happiness Project has been around since 2017, but really started picking up steam this last summer of 2020. In 2017, one of Jake’s classmates, Nick Spaid, tragically lost his battle with mental illness. This moment catalyzed the mission of the Happiness Project, encouraging Jake to spread awareness about mental illness through his clothing line. By wearing a hoodie with “The Happiness Project” emboldened across it, it will always prompt people to ask, “What is that?” And just like that, you’re talking with someone about the Happiness Project’s mission and having an open conversation about mental health.

Although the project first started in 2017, it wasn’t until this past summer that Jake and the team started really working on the brand. The hoodies and other products are certainly cool, but the focus is always on the message and the mission. In 2020, they donated over $50,000 to, the nation’s largest grassroots mental health organization, “dedicated to building better lives for the millions of Americans affected by mental illness.” The gear itself opens up conversations, while the brand donates 15% of the proceeds towards organizations helping those fighting their battle against mental illness.

Jake and I spoke a bit about the design process as well and how they went about selecting the now iconic colors and logo for the brand. They tested a plethora of color option before settling on the current pastel array you can see available on their website right now. They wanted to opt for “colors that scream happiness at you.” Jake wanted to keep the logo juvenile in a way, “almost  like a kids writing it.” It’s an immensely serious topic, but by presenting it in a more relaxed way, it allows people to approach mental health with less hesitancy.

As far was what’s next for the Happiness Project, a lot of the details are under wraps. They’re working on another drop soon, which will feature tie dye patterns—the result of a full week of dye testing in Jake’s backyard this summer. They also are in talks with some big names about doing awareness events down the line, but some of those plans are on holds due to the pandemic. When I asked Jake for some of his long term goals, he had them locked and loaded: festivals to raise awareness, getting mental health resources into communities that can’t afford them, creating a big factory-like space where people can have fun and hang out that can function as a totally judgement free area.

Between their donations and ability to spread their message, The Happiness Project has certainly made an incredible impact so far. 2020 was huge, but I imagine 2021 will be even bigger. Keep your eye on the brand’s socials and definitely cop a tee or sweatshirt to support the young entrepreneurs, in addition to supporting mental health awareness.

Leaders Style

Trés Bien’s Francesco Pini Lets Us In On His World of Fashion Design

How did a clothing obsessed skateboarder from Florence, with no formal fashion design training, become a lead designer for some of the most influential skate brands and fashion retailers today?

This is the story of Francesco Pini.

ONE37pm: Where are you from and how did you get into skateboarding?

Pini: I’m from Florence, Italy, but I’ve been residing in Malmö, Sweden for about 13 years now. 

I got into skateboarding from just going to my neighborhood’s “Boards” store when I was about 17 or 18. I remember the local skate hero had a VHS copy of Fulfill the Dream and he dropped it off at the store to just loop it in there for a few days. Next thing you know, the owner pirated a bunch of copies and I ended up getting one. Since the first day I saw Smolik, Brandon Turner, Muska and the rest of the team, I got into it. That video is still to this day so perfect.

How did you start designing? 

Depends on what typology of design we are talking about. For graphic design, it started randomly: a friend here in Malmö needed a graphic for his small skateboard brand and since I used to do some tattooing at home for some of his friends, he thought I could draw something for him. The result was kind of basic, literally just a drawing on a tee and a hoodie barely vectorized, but it was enough to make me want to do more and learn how to work Illustrator and Photoshop, so I could get a better final product. 

After that, I started testing some stuff on the merch I was producing for the vintage store I had at the time. Then I started doing some stuff for Kosta at Quartersnacks and other friends. Always on a friendly tip, but the stuff would be produced on a bigger scale and sold in stores worldwide, so that slowly became more satisfying and turned into a job. 

As for the clothing design, that started professionally with a job at Polar and grew from there.

I´ve never done or studied fashion design, but I have definitely been obsessed with clothing my whole entire life, so that helped develop an eye for it. I remember that since second/third grade, I used to get off of school around noon and I’d go directly to the sports store across the street to help them unpack the new arrivals. I was really into the NBA and they had all the Shaq Reebok gear and all the Jordan stuff coming in on a weekly basis.

I would stay there so long sometimes they had to warn my family that this was happening, so they wouldn’t stress when they didn’t see me come back home.

Later in my youth, I started asking my mom to help me refit clothes I had that I felt didn’t fit right. So with her help I got a bit more hands on with some sewing and fitting. From then on, I always messed around with clothing, but it never became a job until Polar.

Francesco Pini

I’ve never done or studied fashion design, but I have definitely been obsessed with clothing my whole entire life.

How did you get the job at Polar?

Easy, through Instagram (laughs). It was actually random as it could be. Polar was growing, but was still rather small and Pontus (the founder) posted on Instagram that he needed a clothing designer for the brand. So I wrote him an email and he was down. There were a lot of people from all over Europe applying for the job, but as he told me, he was looking for someone that lived in Malmö for “logistic” reasons. He also knew me briefly from skating and from the vintage store, since he came through a couple of times to get some reference pieces.

What did your job entail?

The job was from design to production 360 degrees, from pretty much starting the second day. I was the only designer there for 3 and a half out of my 5 years at Polar. Pontus was almost full time busy with editing “In search of the Miraculous” at very first and after he was done with that, he was always very busy with graphics, boards, more videos, editing/filming etc.

We’d obviously bounce ideas back and forth as I was drawing garments and he’d sometimes get involved, giving his point of view and his ideas of what was needed in the collection. He’d also help a bit with production issues and all, but it was a lot of work on my side since it was the very beginning of Polar making more elaborate gear—rather than the basic coach jackets and the jerseys. So it took a lot of research, ideas and overall development from all sides involved.

We had a production agent in Poland where Polar used to produce their clothing. He’d source factories and follow the production up close, but if there was an issue I’d have to fly there and go check it personally or go there to check the final samples before they were put on the production chain.

I remember the first time I went to Poland, it was like my second week working there. I had to go fix some damn snap buttons and some fit issues on a coach jacket they almost had ready for production. Pontus was like “this is it, you want to do this design job then go fix this thing”. It was sort of the most random move considering I had no real experience yet. I came back to the Polar office almost a week after with this luggage of coach jackets and as I walked by his room we kinda had a laugh about it. I’m pretty sure at some point when I was away he realized how random his decision of sending me there alone was. It did go well after all and we got the coach jackets done.

What are some of your favorite pieces you helped to create at Polar?

That’s a tough one, different ones for different reasons. I’d say first is the Hallberg fleece (named after a Polar skater, Hjalte) due to the fact that it was the very first garment I designed for Polar. It’s a spin-off of the North Face Denali. I drew that thing on an A4 the same day that I got the job. I still have that sketch.

Then it would be the first puffer I designed. The one with the two direction panels, half vertical and half horizontal. I like it because I based the design on a Polo Sport jacket. I love Ralph, so that was like a homage to him. Also, this was Polar’s first real outerwear piece with technical properties and qualities. I remember it was dumb expensive to produce and it ended up retailing around 500€, so really the only people that got it were the team and friends and family. It wasn’t in the skate shop price range let’s say (laughs).


Then I’d say being part of the process with the whole Surf Pants and Big Boys fit. The whole craze it generated afterwards in skateboarding clothing style, seeing it get so big that even non-Polar riders were buying and wearing them was definitely unexpected.

How did you end up leaving Polar?

After more than 4 years, me and Pontus just didn’t see things the same way, so I felt like I could try something different and see which doors that experience would open. I’ve got nothing but love for Pontus, Bella and the whole work team and I will forever. The time there helped me develop a lot work wise and as a person. 

How did you get the job at Trés Bien?

The day I quit Polar, I went to the Trés Bien HQ in Malmö, just to hang out since we knew each other from working together on the Polar x Trés Bien collaboration. I was trying to be in a creative environment within the same typology as Polar. They asked me right away if I wanted to design some striped tees/jersey and draw some graphics for their “Souvenir” line. I obviously took the chance and started freelancing for them.

After just 2 months they asked me to become a designer there full time for their in house line and do some graphics for the Souvenir line so I accepted. I honestly liked that freelance period. I got to work in Barcelona for Sour skateboards a bit and I could focus and put more work in Quartersnacks and start a bit with Alltimers and some more brands. But, after all, Tres Bien was too nice of an opportunity to snob.

What does your role at Tres Bien entail?

Clothing and graphic design, plus all the production that comes with it. From sourcing and ordering fabrics, woven labels, etc, to getting the product finished and delivered to our headquarters.

With the pandemic, what does your day to day routine look like?

Sweden has been a bit of a question mark to the eyes of the world regarding the pandemic issue. I would say the main tangible change here is that we can’t travel to nearby Denmark (Copenhagen) as we usually did. So besides that detail, my daily routine didn’t really change much. I wake up, go to the Tres Bien HQ or work from home, depending on what the task is that week. When I’m done working, I go play some basketball or skate a bit, then work a bit more on my other projects. After that I’m ready to chill a bit with my girl and go sleep so I can recharge and do it all over again. Looking back at it, I actually used the down time this whole situation created to focus and do more work that I’m hyped on.

Francesco Pini

Looking back at it, I actually used the down time this whole situation created to focus and do more work that I’m hyped on.

Why did you move to Malmo?

I moved here because I wanted to open a vintage store somewhere in Europe that had a good economy, so I could work and enjoy the results. I visited Malmö a couple of times before moving here and as a 25 years old (at the time) it had everything I needed: insane skate spots and a nice community around it, the seaside, the close distance to Copenhagen and mainly an open window for the business I wanted to start.

What do you miss about Italy?

First and foremost my family: seeing your parents age through a cell phone camera is nothing nice. I also miss the energy Italy has, between the history and art that is spread in every city, you get so much inspiration just by taking a walk or a bike ride. The landscape helps, too. We have possibly the most beautiful coasts, mountains and big cities within a 3 hour train ride from where I come from, so that helps when you have some free time to see and enjoy new things and gorgeous places. Other than that, the Italian culture overall. The fact that you can have a quick conversation with a random person at any time, I think that helps you keep a mental sanity. Also, miss the street markets. Whenever I go back home, I try to hit as many as I can. They’re a real goldmine for vintage clothing!

Where do your design ideas come from?

At this point during the pandemic, a lot of research between physical stores and online since I can’t really travel. The only 2 museums in Malmö are closed. Pre, and hopefully after the pandemic, I definitely love to see a good museum, travel to cities with strong history, architecture and lifestyle, just to enjoy them and soak in their details as much as I can.

I know you’re really close with Kosta, the founder of Quartersnacks. How did you guys meet?

We met way back In 2008 when I used to travel a bunch to New York since my ex was from Jersey. One of the OG QS guys, Isak, was studying a semester in Florence and when he moved back to NY I started visiting him often. He introduced me to Kosta and all the QS boys. 

Traveling with him is perfect, we’re really similar under many aspects. We like to see new things whether it’s museums or street markets. We’re always up for whatever sounds nice: a spritz, an aperitivo and some NBA finals illicit stream.

But that goes for the rest of the people that usually join us on these trips. We’re all kinda the same. As long as we can have chill times, eat and drink well, everyone is in. The skating is very casual. I don’t think we’ve ever picked a destination for its spots. We just go to a city, cruise around and skate what we find.

Did designing clothing for Quartersnacks just come naturally from being friends with Kosta?

Yeah, that definitely happened due to our friendship. I think the first thing I did for him was the Spritz mock up graphic. And that came basically from drinking many spritzes in Copenhagen and noticing that the logo was actually good to mess around with. Same with many other designs. We’d find a vintage t-shirt at a market and go “this is perfect, let’s just change this to QS!”. But as I did more stuff for him, he started asking me to do graphics from scratch, from ideas I wasn’t part of. He’d just start by explaining to me what vibe he’d like and then bouncing designs back and forth until we have the final one.

How did the Trés Bien X Quartersnacks collab come about?

When I started at Tres Bien, I told Kosta that it could be funny if we did a collaboration and he thought the same. I pitched it to my boss and he was also into the idea since I work for both companies. It made sense. 

The Trés Bien in house line we make is rather high end, with production in Europe and fine Italian fabrics and trimmings, so in the start we thought of releasing a capsule with cut and sew pieces that would land a bit out of the skate market price range, but in the end somehow, we ended up doing only the printables. 

Those graphics were pretty nice to do, since I was given a blank canvas from both sides. I thought that the QuarTrèsnacks was a fun wordplay for one graphic. The other one with the Alps is completely random, like I’ve done before for the QS line: connecting the brand with places that have nothing to do with it.

What about the Sneeze Mag X Tres Bien collab?

That connection was born from a coworker at Trés Bien that has been friends with the Sneeze people for quite some time. The creation of the capsule was built quite the same way as the QS one, so we knew we wanted printables and some cut and sew garments based on a funky twist to sporty outerwear.

I sourced a vintage anorak during the process and it was a very good fit with some nice details, so we decided to work on that design and turn it into a leather jacket, with a bucket hat to match. So you end up with a rain jacket that you can’t really use in the rain (laughs).

The fleece vest was mostly based on a fuzzy fleece fabric we sourced and wanted to use combining it with my love for fishing/technical vests. One of the rugbys was inspired from an offset stripe pattern painting I’ve seen during a visit at the local museum. The rest is based on vintage references combined with fabric sourcing. It was quite fun to make and I’m happy that the guys at Sneeze dealt with the graphic design part of the collection. I think it is nice to have both sides working on a collaboration rather than just one company borrowing the logo.

What brands do you think are doing things right these days?

I personally really like Aime Leon Dore. They have really good designs based on really smart references, the garments are really high quality and the collaborations are very well picked. Plus the image they’ve built around the brand is really cool to me.

I also think Palace is on an insane streak right now. We can discuss the fact that they are making too many collaborations or that most of the clothing is a bit “young” or hype. But still, the way they approach the presentation of their main line or the different capsules is absolutely flawless.

I recently started working a bit with you for Grand Collection. I really like the direction you’re taking the brand, plus the drive and effort you’ve been putting into it. There aren’t many casual decisions taken, everything is well thought after and executed.

I think that the guys at Dancer are also doing really nice things with their product in terms of quality and design and also how they market it.

For a less streetwear example, I really like Auralee and Bode. They both work with extremely high end fabrics or with an extreme research process, the fits are amazing and the final product is beautiful. It’s stuff I can’t afford and usually wouldn’t wear, but I really admire it. Other than these there are many other brands I got love for so it’s kind of hard to list them all.

Tell us about your vintage business? 

It’s called Noon Archive and so far is an Instagram shop (@Noon_archive) and a Depop page. But it’s slowly growing, as we are working on a webstore and planning a second pop up store.

The idea started from my love for vintage clothing, whether in sportswear or high end brands, and how I’ve always loved going to street markets and thrift stores knowing that in any table or rack there could be a gem hidden.

Also, I’ve had a vintage store before starting at Polar, where I used to source vintage between Sweden and Italy so I know how to get my hands on the product. Pretty much what was left to do was to think of a good name, start an Instagram account, take good pictures of the stock we had from one of our recent trips to Italy and build an image and concept around it. After that, just always be on the lookout for more product to add.

The name comes from the fact that working full time at Trés Bien, I have to use my hour lunch break (starting 12 o’clock) to go around Malmö researching gear at the local thrifts. That’s how the name Noon came about. It is a lot of work, especially balancing it between the full time job I have and the other graphic design gigs, but it is worth it seeing the response it is having from people.

If someone reading this wants to become a designer, what would you suggest?

I just think that if you love something you should pursue it. Put as much effort and work you can in learning and developing your skills, be humble in what you do and be nice to people and at some point you will be rewarded.

Francesco Pini

Whenever you get the opportunity to do what you love, do as much as you can to prove yourself and don’t take it for granted, since there are many other talented people that are hungry for that same opportunity.

Franceso Pini

What are you excited about working on next?

I think now is the time to plan a second pop up shop for Noon Archive following the one we had last October. Other than that, the Trés Bien line we worked on is releasing at the end of March. I’m psyched to do a lot more graphic design work for Grand, Quartersnacks and whoever needs some help. Hopefully soon enough we will be able to travel freely again. That is a thing I very much look forward to! Thanks a lot everyone, much love.

Leaders Style

14 NYC Streetwear Brands

New York City has been the epicenter of fashion for centuries, but in the new millennium, haute couture and Fashion Week have become increasingly passe. In fact, the average Manhattanite simply scoffs at the banality of runway shows and all the industry try-hards. Because media spectacle often trumps actual design, real fashion experts have turned to New York’s streetwear as the paradigm of what’s actually on-trend.

Streetwear, as opposed to formal wear, is both minimalist and maximalist: bold patterns and striking statements juxtaposed with sleek lines and clean silhouettes. New York’s skate and hip-hop culture — in turn, sometimes borrowing from the history of punk and goth fashion, which also both have long NY traditions — are the principal influences on the style. But as streetwear evolves, it’s increasingly borrowing from the highbrow world in what influential designer Luca Benini called a “cross-pollination.”

There’s a sort of irony in that what once defined casual cool is now painstakingly crafted, studied, and dissected. Nor is streetwear always affordable anymore, with luxury brands charging thousands of dollars for limited edition ready-to-wear collections. 

In New York in 2020, the development of streetwear has become increasingly schizophrenic — with the popularity of normcore reaching its zenith in 2014 (giving way to an endless onslaught of the ’90s and ’00s nostalgia) and an ever-intensifying atmosphere of political strife, NYC’s streetwear landscape is less coherent and more confusing than ever. Do these brands want to capture the zeitgeist? Is the emphasis more on ingenuity than design? How much can designers capitalize on cultures from yesteryear? And why are the price points always skyrocketing?

The extent to which streetwear is even worn anymore has now become a question. Are some brands’ ultra limited-edition wares simply traded instead of actually utilized? If streetwear is simply a collector’s item, what does that mean for the future of fashion?

We might not have answers to these existential questions, but in celebration of streetwear’s true home, we’ve curated a list of the best NYC brands we could find. The emphasis here is on actual wearability over clout.

1. Supreme

Let’s get this out of the way: could a discussion about contemporary streetwear — or New York streetwear — even be had without mentioning Supreme? Although the brand’s high-priced and ultra-limited edition lines have become fodder for endless knock-offs and the subject of snooty fashion derision, the unique visual language of Supreme endures throughout the world. The ubiquitous clothing line has even become its own form of cryptocurrency amongst certain circles. That’s how you know you’ve really made it.

2. Money Green Merch

Power to the stoners! Money Green Merch, a small clothing brand attached to a budding hip hop label, is selling socially conscious activist wear that makes not-so-subtle political statements. Weed’s not quite legalized yet here in NYC, but you can get ahead of De Blasio and Cuomo on the matter with this merch.

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High-end fashion line SABIT specializes in hand-made and specially tailored garments: “We enjoy making clothes. This is the energy of our products,” reads the company’s sparse mission statement. The label’s kimono-style jackets, bombers, and college-branded sweaters aren’t cheap but the level of craft and care in each garment is worth the price.

4. 5boroNYC

As per their name, 5boroNYC is paying homage to this great city’s distinctly idiosyncratic sections. A sendup to classic New York pride, the brand’s hoodie, hat, and t-shirt designs range from graffiti-influenced to normcore. The label’s boards are wonderful, brujeria-inspired sendups to the indomitable spirit of the Big Apple. A nice bonus is that all the products are made in the USA.

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5. Privilege NYC

A few motifs run through the collections currently on sale at Privilege NYC: the “Saints and Sinners” micro-collection features corrupted religious iconography, while the Lafayette products are rife with the imagery of the French Revolution. The cosmology of the brand is a bit scattered, but the designs are striking nonetheless. Clock their retro polos while you browse the more contemporary shirts, shorts, hip packs, and sweaters.

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6. Stay Cool NYC

The appropriately named “Stay Cool NYC” brand correctly describes its products as “retro-futuristic chillwear.” The 90’s nostalgia is apparent in every item, and the adorably whimsical air-brush graphics are masterpieces. It’s certainly more sugary than the average streetwear, but it’s all incredibly cute.

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7. Kid Super

Kid Super has plenty to offer by way of politically-minded casual wear, but it’s the label’s hand-painted and embellished whimsical jackets and matching pants that are the standouts of the line. Many of the doodles on each item come from the head designer, Colm Dillane’s fine art practice.

“This [brand] was the perfect way to encapsulate my, and I think many others’, relationship to New York City,” reads Kid Super’s manifesto.

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8. Public Housing Skate Team

With President Trump increasingly comparing urban areas to warzones, the militaristic imagery of this brand’s streetwear takes on overtly political overtones. Doodled bullet-proof vests and surveillance helicopters paint an ominous picture of inner-city life, but offer a sparse message of justice. See: the Pitbull Foundation t-shirt which asserts, “Don’t judge a dog by its breed.”

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9. Ronin Division

Named after Japan’s wandering warriors, Ronin Division brings a sleek, understated design philosophy to their smartly color-blocked and very limited edition jackets and tees. According to their mission statement, the brand is “looking to define the culture and experiences of the ruthless vagabond.” Sounds like a strong streetwear philosophy, if you ask us.

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10. Awake NY

“Awake NY is a reflection of the diversity that has defined the city’s cultural landscape. Simultaneously classic and contemporary, Awake NY evokes both the changing aesthetic vibrancy and timelessness of New York,” reads the brand’s website. Indeed, the brightly colored tees, flannel button downs, sweatpants, and hoodies are evocative of the brightest parts of New York’s concrete jungle. No stranger to anti-authoritarian statements, the “In God We Trust, In The President We Don’t” tee is likely to be a hot item this Summer — for obvious reasons.

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11. Nine One Seven

Emblematic of a specific kind of post-vaporwave, post-internet psychedelia, Nine One Seven (named after the outdated yet still-pervasive NYC area code) is clearly a child of early 00’s skate culture aesthetics. More flirtatious and cartoonish hoodies and sweaters provide a juxtaposition to the brand’s bizarre offerings.

12. Alife NYC

Founded in 1999, Alife’s impeccably curated collection of sneakers showcases a particular paragon of on-trend footwear. From ultra-rare Yeezy’s to old-school Converse and limited edition collabs, Alife’s assortments of uniquely branded merch and specially assembled selections walk a fine balance between high-end designer loungewear and urban sensibilities, from a distinctly New York perspective.

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13. Tier NYC

Tier’s got the basic streetwear essentials: an assortment of French Terry cotton hoodies in various colorways including Easter pastels alongside basic shorts, socks, and tees. The brand’s offerings get a bit more sophisticated when you scroll down to their worker’s jackets and flannel button downs, which frequently have the eternal phrase “ART NEVER DIES” embroidered on them. Take note of the brand’s exquisite varsity jacket while you browse.

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14. Belief NYC

Aside from Staten Island, Queens is probably the borough that gets the least love — and it’s a shame! With an increasingly thriving nightlife scene and a rich history of powerful immigrant stories, Belief NYC is repping the maligned Astoria neighborhood through unapologetic and on-trend tie-dye and collegiate t-shirts and hoodies.

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Leaders Style

10 Korean Streetwear Brands You Need To Know About

Paris, Milan, New York, London, Tokyo…and now Seoul! Within the past decade, Korea has become a hub of emerging fashion. With Korean cultural exports on the rise, including the growing cultish following of Korean pop music in the West, the demand for the ingenuity of Korean artists is higher than ever. 

“Today, South Korea is the most influential country in Asia, with its energy and creativity, its youth culture and the pop music and TV celebrities, who have become incredibly powerful, even in China and Japan,” remarked Bruno Pavlovsky, Chanel’s president of fashion, in 2017. “These are all great sources of inspiration…There’s also a business reason. South Korea is a fast-growing market, a very interesting one, now also open to the Chinese and Japanese who like to travel here for tourism. South Korea has become a top destination in Asia.”

We’ve seen Korean designers like Hyun Mi Nielsen praised as the future of haute couture, but the nation is more and more becoming associated with cutting edge streetwear, resulting from an “injection of Western culture within the country [that] slowly started to pave the way to the success of street style that we see today. Koreans grew more and more accustomed to the street style references from abroad, from music to images of celebrities and other influential characters snapped at the main fashion events, this sparked the growth of demand for the next trendy ‘must-have’ items,” according to The Korea Times.

In celebration of this growing market, we’re counting down the hottest streetwear brands from Korea.

1. Pushbutton

Deconstructed fashion — clothing that takes the essential elements of a given garment and re-arranges them into something new and avant-garde — was pioneered by Rei Kawakubo and her Commes De Garcons label over the past few decades. Korean brand Pushbutton is continuing that thesis with clever subversions of outfit essentials: jeans with discoloration over the crotch, oversized skirts created out of parts from jackets, trench coats flowing with an abundance of fabric. The playfully transgressive aesthetic is appropriately gender-neutral and effortlessly eye-catching.

“Pushbutton always strives to make a beautiful balance between opposite concepts, such as feminine vs. masculine and sexual vs. sporty,” said Park Seung Gun, the brand’s creative director, to The Klog. “I believe in this highly competitive society, with societal issues like youth unemployment, Koreans try to gain confidence through fashion and beauty. I’ve seen Korean youth on the streets with a very bold fashion sense and they’re very open to expressing themselves. I think Korean fashion is all about taking risks and not being afraid of being different from others, and personally, I believe Koreans have a strong ego that allows them to feel free to express their own style.”

2. D-Antidote

D-Antidote is putting slight cyberpunk twists on American sportswear in their mischievous streetwear lines. Introducing subtle variations on basketball jerseys and clever corruptions of Western logos, D-Antidote is fresher than your average gear. Their recent “Space Jam” themed collection is the perfect example of propelling classic athletic garb into the future with interesting proportions and unexpected colorways. Their collaborations with Fila have already helped reinvigorate the latter brand in this new decade.

“I think that the fashion here reflects the environment,” said D-Antidote designer, Hwansung Park, to Hypebeast. “For example, when I was in London, if I wore something vivid or colorful, it sometimes wouldn’t fit with the aesthetic of the city. Whereas in Seoul, all of the buildings, shops and roads are very modern and new. So it means that people can digest these kinds of flashy colors easier than in other cities.”

3. Ader-error

Ader Error has now collaborated with brands like Maison Kitsune, Puma, and G-Shock — meaning they’ve got some seriously legit brands backing them up. Their typical look puts an avant-garde twist on typical 90s tropes like chunky sneakers, oversized knit sweaters, and distressed denim — but don’t let the infatuation with decade fool you, their stuff is far more sophisticated than your typical nostalgia trappings. 

In 2018, GQ described Ader Error as “the world’s coolest brand.” 

“We started this brand to communicate with people,” a brand rep told the mag. “We started as a fashion company but we don’t want to just be a fashion brand. We aim to be techy, lifestyle and that little something more – a new type of business.”

4. Nohant

Nohant is definitely less eccentric than many of the brands on this list: inspired by French style and retro fashion, this line is best for rebellious twists on basics and essentials. Jerseys, polos, and sporty summer wear are updated for 2020 with interesting stitching and smart construction.

5. thisisneverthat

Almost indistinguishable from Western normcore brands, thisisneverthat (has there ever been a catchier name for a company?) sells distressed workman’s jackets, pre-shredded baseball caps, and pre-scuffed New Balance sneakers. The minimal-effort designs fit in well with the cultish popularity of utilitarian brands like Carhartt amongst urban fashionistas who pretend not to care about labels. W Magazine went as far as calling thisisneverthat “South Korea’s answer to Supreme.”

6. Post Archive Fashion

It’s no surprise given the company’s name that PAF specializes in zany post-modern streetwear. Reminiscent of early Gareth Pugh but with bolder color palettes and far more chaos, PAF brings a certain kind of high-brow chic to its bizarre line of ready to wear. 

“The fledgling label has developed its own design language through an in-depth study of its growing archive,” explains Hypebeast. “Its creations fall either into PAF’s conservative conventional ‘RIGHT’ category or into the ‘CENTER’ or experimental ‘LEFT’ garment series.”

7. Hyein Seo

With a sparse color palette and intricate silhouettes, it’s shouldn’t be surprising that Hyein Seo’s designs are reminiscent of early Fenty X Puma collabs: Rihanna’s been seen out and about in this brand’s looks several times and clearly cites them as inspiration (in fact, she might even be straight-up stealing from them). Either way, Hyein Seo’s been in several magazine’s brands to watch lists for years, which makes sense given their avant-garde yet imminently wearable sensibilities. Hyein Seo’s clothes have previously appeared in the States by way of VFiles.

8. Mahagrid

Tye dye t-shirts, striped polos, skate decks, baseball caps, and board shorts: skateboard culture has clearly made its way to Korea with this brand’s line of 90’s inflected streetwear. Far more accessible (and affordable) than the couture collections featured elsewhere on this list, Mahagrid’s offerings are legible within the tradition of ultra-cool action sports.

9. Rocket X Lunch

Take the understated sensibilities of the ‘90s skate culture and add in a dash of Lynchian paranoia: Rocket X Lunch’s latest line of clothing, which uses the motif of the doppelganger throughout a collection of outwear, introduces a sinister theme to their wearable wares. Their latest designs take aesthetic cues from paranoid psychedelia, ‘60s British mod culture, and traditional stoner apparel in equal measure.

10. 99percentis

99percentis seems to specialize in post-apocalyptic outerwear that fits perfectly in the aesthetic universe of The Purge (if those films hadn’t been specifically about America’s glorification of violence). Balancing creepy, cute, and cool, the destroyed masks, jackets, and pants are battle-ready and immensely intimidating. Helmed by a designer mononymously known as Bjowoo, the brand’s anarchic outfits have previously been worn by Lady Gaga and Justin Beiber.

Leaders Style

15 Underground Clothing Brands You Need to Know

Fendi, Gucci, and Prada are all fine and fun to name drop in rap verses, but real fashionistas know what’s up beyond the big brands. Now that print-at-home services have become par for the course, entrepreneurial designers can start their own brands without millions of dollars in backing — and fashion overall is better off for it.

The democratization of the fashion world means that there’s a new designer debuting clothes every few minutes — and that it’s becoming harder to sort out the tripe from the treasures. With Instagram ads constantly bombarding our feeds with new lines — many of which are straight-up stolen designs — we’ve taken on the task of figuring out who to pay attention to.

From New York, to LA, to Tokyo, here are the best upcoming underground clothing brands we could find:

1. Alien Body

Alien Body — Electronic musician Pictureplane became a cult sensation around the world for his aggressive, punk-inflected noise pop. Now, he’s taken his unique aesthetic in a sartorial direction with Alien Body, his eccentric line of darkly glamorous streetwear. The Brooklyn-based brand blends post-nu-metal styling with darkly glamorous and paranoiac imagery. Looks like it’d be worn by SoundCloud rappers on the gothic end of the musical spectrum. — Eric Shorey

2. Warren Lotas

Warren Lotas – LA-based designer Warren Lotas doesn’t exactly make his clothes easy to cop — most of the time his shop is password-protected, and even his most high-priced items (his hoodies sometimes go for at least $1k) sell out almost instantly. The pre-planned scarcity is obviously an intentional marketing strategy, and it’s hard not to covet those with the dedication to track down each item. Lotas is obviously inspired by street art, basketball fashion, and motorcycle culture — his sketchily drawn designs often borrow images from horror movies or gangster iconography. — Eric Shorey

3. Rucking Fotten

Rucking Fotten —There’s an undeniable charm to Japanese horror posters, and this aesthetic is precisely what streetwear brand Rucking Fotten has mined for years. The graphic hoodies, shirts, and sweatpants re-imagine contemporary horror classics as Asian imports with striking color palettes and surreal imagery. Although each collection is ultra-limited edition, you can subscribe to their new releases by buying up a “Slasher Pack” — which essentially functions as a carefully curated shirt of the month club. Best worn in October, but looks great all year. —Eric Shorey

4. Little Whip

Little Whip – Give yourself over to absolute pleasure: Little Whip’s sex-positive line of BDSM-inflected streetwear features a darkly, subtle graphic design inspired by dungeons and kink. The sweaters and shirts are unisex and feature a bevy of morbid imagery that’ll have you begging for more. Their lookbooks are uniquely hype-stylized erotic nightmares, reminiscent of the films of Bruce LaBruce and Kenneth Anger. — Eric Shorey

5. Ten Yards

Ten Yards — Brooklyn-based DJ and designer Sam Branman has become a go-to couture creator for New York City nightlife’s most esteemed drag performers, including Drag Race champion Bob The Drag Queen. Ten Yards is perhaps best known for his flirtatious, nerd-culture inspired jockstraps but he’s more recently ventured into gorgeous, handmade bomber jackets, sweaters, and overalls. His fashion shows regularly feature a gender-inclusive cast of club kids and performance artists, making them the most exciting presentations on a DIY budget. He also does custom commissions for ludicrously reasonable prices. — Eric Shorey

6. Tripp NYC

Tripp NYC – The suburban punk style that was so thoroughly lambasted in the early ’00s has, through a predictable cycle of retro fashion, become a chic choice amongst rappers and streetwear icons. Their signature split-leg bondage pants were omnipresent in the early days of Hot Topic and have since been copied by Billboard-topping rappers like Lil Uzi. It’s unclear how Tripp has managed to survive all these years, but a new generation of tastemakers are now embracing the outlandish colors, patterns, and over-the-top accessorizing made popular by this legendary company so long ago. — Eric Shorey

7. Neighborhood

Neighborhood — Curated selections of streetwear collaborations and original designs, Neighborhood has an interesting aesthetic mix of understated and edgy illustrations and clever nods to avant-gardism. There’s a delightfully deconstructionist design philosophy to this Japanese brand that’s far more clever than the un-subtle trends of US-based brands. It’s not exactly cheap — especially considering conversion rates and shipping prices — but it’s probably worth the investment for something more unique. — Eric Shorey


BLVCKSCALE – Perhaps this brand’s biohazard designs are a bit on-the-nose for the current political moment — but the line’s minimalist goth aesthetic is a counterbalance to the more outlandish and noisy sartorial choices on this list and is a good juxtaposition to more popular goth streetwear companies whose overwrought designs have become frustratingly ubiquitous. The toned down and more subtle Satanic iconography is almost work-appropriate, despite the inherent darkness. — Eric Shorey

9. Profound Aesthetic

Profound Aesthetic – Founded by Faraz Zaidi, Profound Aesthetic mixes elements of high fashion with recognizable streetwear tropes. Their clothes have been sold in Urban Outfitters and worn by celebrities like Rihanna and Kenrick Lamar. However, their Zaidi is mostly a behind the scenes figure of the brand. There is no “about” section on their website yet they have been releasing seasonal collections for the past decade. They almost always have several clothes on sale, sometimes as much as 75 percent off, worth checking out such as their Scripted Open Windbreaker, Garden Chino Pants which are covered in violets and roses, and their well priced Fringe Biker Jacket which for under eighty dollars. — Seth King

10. Palace Skateboards

Palace Skateboards – Palace has been around since 2009 and ever since their first drop they have become a staple in the hip-hop community. After finishing college Levent Tanju founded Palance after fooling around with graphics and spending his days just skating around. Once his friends became enamored by his work – he realized it was time to expand. The brand caught the attention of Marc Jacobs for its nineties aesthetic and to this day is still the leader in the streetwear industry. Their website is constantly being updated with new collections but they are hard to purchase as they sell out rather quickly. If you’ve got some cash lying around, check out their Planet Black Jacket, Stuff Jacket, and their patchwork Das Water Shirt.  — Seth King

11. Strip Mall Couture

Strip Mall Couture – Strip Mall is one brand probably not on anyone’s radar – and they don’t want to be. Their website is littered with messages like “don’t’ contact us” and “don’t follow us” yet their minimalist aesthetic will make you stand out in any crowd. Their work is ironic and cheeky, one t-shirt, which is now sold out is called “You Get What You Pay For” and sold for nearly five hundred dollars. Yet Strip Mall isn’t trolling, and I’m constantly intrigued by their mysterious work. I can’t tell whether or not to take them seriously or not yet I owe two of their shirts. Go figure. If you’ve got thirty dollars to spare, grab their Order Form shirt and your friends will almost certainly think your crazy and enigmatic – and what’s better than that? — Seth King

12. Pleasures

Pleasures – If you’ve been on Grailed – you’ve heard about Pleasures. Founded by Alex James in 2015, the brand has not only become popular among resellers but has even caught the eye of Urban Outfitters. Their designs are known for being grungy and associated with the SoundCloud rap era. Over the years, the brand hasn’t been afraid of court controversy – he even put Kurt Cobain’s suicide note on the back of a jacket. Since he was a teenager in high school, James was always down to push the limits of what was “appropriate” to wear. Yet his risky graphics yet have grabbed the attention of Wiz Khalifa and Kylie Jenner. These days they are innovative designs such as their Waves polo and Wonder track pants which will almost certainly catch the eye of any hypebeast. — Seth King

13. FuckThePopulation (FTP)

FuckThePopulation (FTP) – If you’ve paid attention to the SoundCloud rap era – you’ve heard of Fuck The Population. Run by the ominous “Zac”, who no one seems to know, the clothes have been worn by everyone from Xxxtentacion and the $uicideBoys. Zach is known not to give any advance notice of a drop. If you really want his clothes – you will have to constantly have to check back in on the site. This model has created a cult following around his work and FTP usually sells out in under fifteen minutes. His clothes are meant to piss people off and even the police have expressed their frustration for the brands’ work. There are currently no clothes available on his site, and I can’t tell you when they will be. That’s part of the appeal. Every piece is rare. Yet if you really want some of his iconic FTP logo shirts – look on Grailed and be ready to take a hit to your wallet. Over time, if you need the money, you can always resell their clothes for more than you purchased them. — Seth King

14. Menace

Menace – Menace is one of the hottest brands right now in LA. The brand was founded in 2013. Creator Steven Mena doesn’t care about hopping on trends or keeping up with the industry and that’s exactly why his clothing is always ahead of his competitors. If you have something nefarious you need to protect, they sell a bible safebox but if you get caught – don’t blame it on me. Yet before they were the darling of the underground scene, they were a humble brand selling their work on Karmaloop. Most recently they have worked with Absent, another upcoming brand, to offer their audience both an Absent logo ring and a Menace logo ring which is rare to see from streetwear brands and producing jewelry isn’t easy. But my favorite piece they have right now is Menace’s Hell In A Cell hoodie – and it’s not hard to see why Mena is perhaps one of the most talented designers out today. If you’re in LA, you’ve probably already seen them around. — Seth King

15. Asspizza

Asspizza — I don’t have to tell you about Austin Babbitt. You should already know about Austin Babbitt but if you don’t, you may know him as Asspizza – the most enigmatic and beloved young designer in New York City. Austin first became somewhat famous when Rolling Stone did a mini-doc on his rise but he was already being hailed as the savior of the New York scene with his confounding designs. — Seth King

Leaders Style

An Ode to ‘Fruits,’ the Japanese Streetwear Magazine That Shaped Style

There’s no doubt that Japanese culture is filled with specific idiosyncrasies, some of which can be traced to its history as a deeply isolationist empire. Following World War II and America’s injection of a kind of hyper-capitalist ethos into their more traditional society, the strains of what appeared as bizarre to Westerners were hyper-boosted. Add onto that post-nuclear anxiety, impossibly speedy economic recovery and growing technological prowess, and you’ve got yourself a recipe for certain kinds of eccentricities.

This dynamic is perhaps most apparent in Japanese fashion, where elements of the country’s conservative attitudes consistently clash with a fever for newness. This extreme tension was captured most explicitly in the influential fashion magazine Fruits—a periodical that would eventually become deeply important around the globe.

Fruits was founded by photographer Shoichi Aoki, who in the late ‘90s and early ‘00s took to the streets of Tokyo to document the everyday styles he spotted in Japan’s most major metropolis. What Aoki found was a handful of ultra-specific micro-subcultures that were virtually nonexistent outside of that city—although, ironically, it was the publication’s international popularity that caused bastardized versions of these styles to be imported to the United States and beyond. In 2001, Western publisher Phaidon collected some of the magazine’s best images into books that garnered cult popularity in urban and suburban teens looking to Japan for counter-cultural inspiration. Certainly, Americans were drawn to what they biasedly perceived as “wacky”—and it was clear that these images in no way represented Japan as a whole—but its influence expanded nonetheless.

The images from Fruits remain absolutely striking to this day, and the styles captured are having a resurgence as everything from right before and after Y2K is living a second life in this current retro fashion cycle. The Japanese youths who created their own colorful interpretations of goth, grunge and punk cultures—which in some cases were morphed into their own new subcultures, like the visual kei, lolita and ganguro styles—should properly be hailed as major influences on the contemporary streetwear landscape. Harajuku, a small district in Tokyo filled with unique shopping destinations, quickly garnered a reputation as a hub of extreme fashion.

For those who grew up worshipping Fruits’ pages, it’s easy to see how deeply the Fruits brainworm dug its way into the zeitgeist. It’s not hard to spot the nods to Fruits in unfortunate places, like Hot Topic’s cheap Lolita dress rip-offs or the ubiquitous watered-down rave wear of Coachella attendees. But it also crops up in more opulent attempts at the lush and dramatic versions of dark glamor now seen in the second wave of nu-mutal and high-end haute couture—or in the revitalization of cyberpunk from brands like Dior. The gender-bending ethos of the Fruits children now deeply informs queer culture in the United States—so much so that recent pictures from New York’s nightlife scene are somewhat indistinguishable from Fruits’ more extreme imagery.

Fruits would ultimately shutter in February 2017. It was clear to Aoki that the colorful teenyboppers who roamed Harajuku’s streets had grown up—and that the youth of this new decade are far less inclined to extreme self-expression in the same way. “There are no more cool kids to photograph,” he said in an interview that announced the magazine’s end. Luckily, intrepid Instagrammers are now archiving Fruits looks on social media, preserving the legacy in a more up-to-date medium, and pages like the Tokyo Fashion Instagram continue in the Fruits tradition. 

Japanese streetwear has (for better or worse) since become much slicker, far more muted and streamlined in terms of color and construction, and increasingly organized around luxury brands. In fact, “Japan accounts for up to 30 to 40 percent of some global luxury brands’ profitability,” according to a 2017 study. The days of Fruits have come and gone, but—if you know what to look for—it’s obvious that we couldn’t have arrived at our current moment without Aoki’s vision.

Leaders Style

Inside Tyler, The Creator’s Intriguing Style Evolution

When I was growing up, I was fortunate enough to watch Tyler, The Creator grow from a rebellious teen that was making outrageous music to a Grammy Award winner. While I enjoy his music, what really grabbed my attention was his style. It’s no secret that Tyler has been setting trends ever since his first televised appearance on the Late Night Show with Jimmy Fallon. The Supreme box logo hoodie would go on to become a wardrobe staple—and one of the most desirable pieces in streetwear. But this wouldn’t be the only mark Tyler would leave on the fashion world.

Tyler, The Creator’s Style Come Up

During his come-up as an artist, Tyler rocked bold colors paired with doodled Vans Old Skools. Patterns were a staple in his wardrobe: Whether it was polka dots, checks or stripes, he would wear it. The multi-media artist isn’t afraid to express himself, and his style shows that. What I love about him is that he dresses for no one but himself.

Frazer Harrison/Getty Images

The Golf Wang Phase

Later on, the artist started venturing more into fashion by introducing his own brand label, Golf Wang. The company became a lifestyle to his hardcore fans, which allowed them to dress like Tyler. There was a period where Tyler was a real poster boy for Golf Wang, and knowing what kind of effect he had on his fans helped him grow the brand to what it is today. To this day, you can still spot him wearing Golf Wang, his staple “G” logo hat never leaves his side, and he always wearing in one-of-one pieces that don’t get a public release.

Golf Wang
Golf Wang Fall/Winter ‘14 Lookbook

Post ‘Flower Boy’

Fast forward to 2018, and Tyler shows a different side of himself. After the success of his album Flower Boy, it felt like he evolved overnight into a more mature figure that would pivot from extremely loud colors and patterns to a more sophisticated yet fresh streetwear look. More elevated footwear paired with cropped pants would become a staple look for Tyler and naturally would become one of the most popular style choices across his fanbase.

Tyler, The Creator from his song ‘What The Fuck Right Now’

I know they see me. Pants got a flood, lil’ bit Katrina. Oh, you wearing Vans and Supreme this season? Stop lying to yourself, me the reason.

Tyler didn’t make any media appearances until he announced his newest project, IGOR. Once published, Tyler was ready to come out of the shadows and do his press run for the album. I was thrilled to see how his style had shifted. Seeing him go from loud T-shirts and wild patterns to tailored blazers and sweater vests signaled that Tyler had reached a different level. Don’t get me wrong, he still keeps it casual by pairing polo shirts with sneakers, but the way he was executing these looks were still more mature than anything we’ve seen from him before.

Donato Sardella/Getty Images for Dior

Nothing lasts forever, and in the current stage of streetwear’s popularity in the mainstream media, we are bound to see a shift. Sneaker culture is shifting towards more formal footwear like loafers, hoodies are traded for blazers and wearing suits is cool again. Seeing Tyler follow this progression just solidifies that this shift is really happening, and I am here for it.